Due Colibrí
Co-founder · Viola da gambaA duo of viole da gamba with Adele Serena (Vicenza · Brussels). Two players, two schools, one instrument family — French, English and Italian solo repertoire, plus arrangements for historical instruments.
Solo · Residency
Photo · Martín Chambi (1891–1973)
Photo · Martín Chambi (1891–1973)
Viola da gamba — solo or accompanied
Hanaq Pachap Takiq QaytuStrings that sing in heaven — Andean musical syncretism
A title in Quechua — the general language of the Peruvian Andes — translated by Yins Ever Coronado, from the idea that the viola da gamba carries a program exploring the sentiment of migration and displacement.
This program goes beyond historicism and modern idealism — it is a creation for today's reality, including new compositions by Peruvian composers and arrangements of traditional pieces that carry the genes of early music.
- Suite Ayacuchana for viola da gambaarr. Michael Magán
- Yaraví India BellaRosa Mercedes Ayarza
- El DiamanteCodex Martínez Compañón
Disposition Viola da gamba — solo or accompanied
Duration 45–70 min
Budget 450–1 250 €
Residency Noirlac & Villefavard
Due Colibrí
Due Colibrí · Two viole da gamba
Echoes of a lost dreama voyage across oneiric sentiments on the viol
Forgetting oneself in the deepest dreams: from the intense lethargy that precedes the oneiric world, to the marvelous fantasies that blur into reality, only to be hidden forever in oblivion.
The phases of human dreams are anything but monotonous stories — yet only rarely do their traces remain with us.
- Adagio · Les RetoursJ. Schenck (1660–1712)
- PavanSainte Colombe le père
- Souldiers Resolution · Touch me SweetlyTobias Hume (1569–1645)
- Prélude et ChaconneMarin Marais (1656–1728)
- Fantasia · Lubecker SonataMatthew Locke (1621–1677)
- Les BatteriesAnonym
- The Duke of Holstone's delightSainte Colombe le père
Disposition 2 viole da gamba
Duration 45–70 min
Budget from 700 €
Auroras Mestizas
Auroras Mestizas · Soprano & chamber forces
Love against (divine) tempestsan audacious reading of the early eighteenth century
…But no Man moved Me — till the Tide
Went past my simple Shoe —
And past my Apron — and my Belt
And past my Boddice — too —
Auroras Mestizas doesn't limit itself by isolating or juxtaposing musical worlds — instead, it looks for the common spaces they share. Figures like José de Orejón y Aparicio and Manuel de Zumaya dialogue naturally with Scarlatti, Porpora and Nebra, offering an audacious and innovative reading of early music.
- Su la sponda del mare (L'Olimpia) · Sinfonia · Aiutatemi a morireA. Scarlatti (1660–1725)
- Sinfonia Op. 2 — AffettuosoN. Porpora (1686–1768)
- Ya que el sol misteriosoJ. de Orejón y Aparicio (1706–1765)
- Tempestad Grande AmigoJ. de Nebra (1702–1768)
Disposition Soprano · 2 violins · violone · theorbo
Duration 45–75 min
Budget from 1 750 €
Ensemble Transatlantique
Ensemble Transatlantique · 4 artists
América Popularat the origins of the tradition
Far from the courts, beyond the cathedral walls — the music of inhabitants whose origins are diverse, but who would live and shape their lives in the new world.
América Popular shows the origins of the diversity and the colours of Latin-American popular music — heir to Western early music, to African rhythms, and to the native musics of the continent. A repertoire with an identity proper and proud, of the American peoples.
- Las Canastasarr. Fátima Hernández
- El DiamanteCodex Trujillo del Perú
- La Peteneratrad. Mexican
Disposition Voices · traditional American instruments · continuo
Duration 60 min
Budget from 1 500 €
Adaptable School interventions